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by Richard Wagner (translated by Edward Dannreuther)

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Title: On Conducting (Ueber das Dirigiren):
A Treatise on Style in the Execution of Classical Music

Author: Richard Wagner (translated by Edward Dannreuther)

Release Date: October, 2003 [Etext# 4523]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on February 2, 2002]

Edition: 10

Language: English

Character set encoding: ASCII

The Project Gutenberg Etext of On Conducting
by Richard Wagner (translated by Edward Dannreuther)
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TABLE OF CONTENTS

      POEM FRONTISPIECE
      TRANSLATOR'S NOTE
      ON CONDUCTING
      APPENDIX A
      APPENDIX B
      APPENDIX C
      APPENDIX D



POEM FRONTISPIECE



                           (1869).


                     MOTTO NACH GOETHE:

                "Fliegenschnauz' und Muckennas'
                 Mit euren Anverwandten,
                 Frosch im Laub und Grill' im Gras,
                 Ihr seid mir Musikanten!"

                      * * * * * * * *

                "Flysnout and Midgenose,
                   With all your kindred, too,
                 Treefrog and Meadow-grig.
                   True musicians, YOU!"

                                    (After GOETHE).


[The lines travestied are taken from "Oberon und Titanias goldene
Hochzeit." Intermezzo, Walpurgisnacht.--Faust I.]



TRANSLATOR'S NOTE.



Wagner's Ueber das Dirigiren was published simultaneously in the
"Neue Zeitschrift fur Musik" and the "New-Yorker Musik-zeitung,"
1869. It was immediately issued in book form, Leipzig, 1869, and
is now incorporated in the author's collected writings, Vol.
VIII. p. 325-410. ("Gesammelte Schriften und Dichtungen von
Richard Wagner," ten volumes, Leipzig, 1871-1883.) For various
reasons, chiefly personal, the book met with much opposition in
Germany, but it was extensively read, and has done a great deal
of good. It is unique in the literature of music: a treatise on
style in the execution of classical music, written by a great
practical master of the grand style. Certain asperities which
pervade it from beginning to end could not well be omitted in the
translation; care has, however, been taken not to exaggerate
them. To elucidate some points in the text sundry extracts from
other writings of Wagner have been appended. The footnotes,
throughout, are the translator's.
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