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Getting Married
George Bernard Shaw

Page 2 of 249

display of virtuosity in form, but simply the spontaneous
falling of a play of ideas into the form most suitable to it,
which turned out to be the classical form.  Getting Married, in
several acts and scenes, with the time spread over a long
period, would be impossible. 

_______________________________________________________________ 

On a fine morning in the spring of 1908 the Norman kitchen in the
Palace of the Bishop of Chelsea looks very spacious and clean and
handsome and healthy. 

The Bishop is lucky enough to have a XII century palace.  The
palace itself has been lucky enough to escape being carved up
into XV century Gothic, or shaved into XVIII century ashlar, or
"restored" by a XIX century builder and a Victorian architect
with a deep sense of the umbrella-like gentlemanliness of XIV
century vaulting.  The present occupant, A.  Chelsea, unofficially
Alfred Bridgenorth, appreciates Norman work.  He has, by adroit
complaints of the discomfort of the place, induced the

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