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Beatrix

by Honore de Balzac

Translated by Katharine Prescott Wormeley

November, 1999  [Etext #1957]


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Etext prepared by John Bickers, jbickers@templar.actrix.gen.nz
and Dagny, dagnyj@hotmail.com


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Etext prepared by John Bickers, jbickers@templar.actrix.gen.nz
and Dagny, dagnyj@hotmail.com





Beatrix

by Honore de Balzac




Translated by Katharine Prescott Wormeley




NOTE

  It is somewhat remarkable that Balzac, dealing as he did with
  traits of character and the minute and daily circumstances of
  life, has never been accused of representing actual persons in the
  two or three thousand portraits which he painted of human nature.

  In "The Great Man of the Provinces in Paris" some likenesses were
  imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel
  Chrestien, and, possibly, Berryer in Daniel d'Arthez. But in the
  present volume, "Beatrix," he used the characteristics of certain
  persons, which were recognized and admitted at the time of
  publication. Mademoiselle des Touches (Camille Maupin) is George
  Sand in character, and the personal description of her, though
  applied by some to the famous Mademoiselle Georges, is easily
  recognized from Couture's drawing. Beatrix, Conti, and Claude
  Vignon are sketches of the Comtesse d'Agoult, Liszt, and the well-
  known critic Gustave Planche.

  The opening scene of this volume, representing the manners and
  customs of the old Breton family, a social state existing no
  longer except in history, and the transition period of the
  /vieille roche/ as it passed into the customs and ideas of the
  present century, is one of Balzac's remarkable and most famous
  pictures in the "Comedy of Human Life."

K.P.W.
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